Men Stop Threatening To Kill Your Daughters Boyfriends To Prove Your Masculinity and Show That Your Daughter Is Your Property 2k14
Steve Rogers did, in fact, realize that something was off when he saw the outline of the woman’s odd bra (a push-up bra, he would later learn), but being an officer and a gentleman, he said that it was the game that gave the future away.
No, see, this scene is just amazing. The costume department deserves so many kudos for this, it’s unreal, especially given the fact that they pulled off Peggy pretty much flawlessly.
1) Her hair is completely wrong for the 40’s. No professional/working woman would have her hair loose like that. Since they’re trying to pass this off as a military hospital, Steve would know that she would at least have her hair carefully pulled back, if maybe not in the elaborate coiffures that would have been popular.
2) Her tie? Too wide, too long. That’s a man’s tie, not a woman’s. They did, however, get the knot correct as far as I can see - that looks like a Windsor.
3) That. Bra. There is so much clashing between that bra and what Steve would expect (remember, he worked with a bunch of women for a long time) that it has to be intentional. She’s wearing a foam cup, which would have been unheard of back then. It’s also an exceptionally old or ill-fitting bra - why else can you see the tops of the cups? No woman would have been caught dead with misbehaving lingerie like that back then, and the soft satin cups of 40’s lingerie made it nearly impossible anyway. Her breasts are also sitting at a much lower angle than would be acceptable in the 40’s.
Look at his eyes. He knows by the time he gets to her hair that something is very, very wrong.
so what you are saying is S.H.E.I.L.D. has a super shitty costume division….
Nope, Nick Fury totally did this on purpose.
There’s no knowing what kind of condition Steve’s in, or what kind of person he really is, after decades of nostalgia blur the reality and the long years in the ice (after a plane crash and a shitload of radiation) do their work. (Pre-crash Steve is in lots of files, I’m sure. Nick Fury does not trust files.) So Fury instructs his people to build a stage, and makes sure that the right people put up some of the wrong cues.
Maybe the real Steve’s a dick, or just an above-average jock; maybe he had a knack for hanging out with real talent. Maybe he hit his head too hard on the landing and he’s not gonna be Captain anymore. On the flipside, if he really is smart, then putting him in a standard, modern hospital room and telling him the truth is going to have him clamming up and refusing to believe a goddamn thing he hears for a really long time.
The real question here is, how long it does it take for the man, the myth, the legend to notice? What does he do about it? How long does he wait to get his bearings, confirm his suspicions, and gather information before attempting busting out?
Turns out the answer’s about forty-five seconds.
Sometimes clever posts die a quiet death in the abyss of the unreblogged. Some clever posts get attention, get comments, get better. Then there’s this one which I’ve watched evolve into a thing of brilliance.
A classic novel isn’t good because it’s a classic, rather it is a classic because it was important to the development of the art. And that certainly doesn’t mean that any given person, on any given day, will enjoy reading it. It means that, as a writer, I should be aware of what the classic novel changed in the historical progression of novel story telling. Some classics are pretty terrible, even unreadable, but they are still important.
I am entirely fascinated by people who think that ideas of racial and social justice - of cultural appropriation being harmful, of racism being institutionalized and involving power, of whiteness or intersectionality being a thing - are concepts someone on Tumblr dot com pulled out of their ass like there isn’t an entire body of groundbreaking seminal literature of at least 20 years of legal, sociological, anthropological, historical, and political work. The term intersectionality was coined in 1989 when many of us weren’t even planned so don’t front like it’s something “over-sensitive SWJs” on tumblr made up to have something to blog and be angry about.
Thus, the logic of the feminist argument to “Teach men not to rape” is revealed.
Yes because it’s such a radical notion to expect rapists to control themselves.
Uh, we do tell thieves not to rob, though. We actually spend a lot of energy teaching kids that stealing is wrong. We keep trying to teach them it’s wrong through their teens and adult years.
And when someone gets robbed? Cops don’t ask them if their front door was locked. They don’t ask them if they invited the thief into their house and maybe said the thief was free to take things before changing their mind the next day. And this is true even though sometimes people do get robbed by folks they invite in under false pretenses.
Cops and lawyers and judges don’t work together to make people who get robbed feel like shit for not installing extra security systems or putting bars on their windows. They don’t use people’s former history of inviting neighbors in and letting them borrow stuff to argue that they had no right to expect someone to respect their property. The media doesn’t talk about how the thief’s promising life was ruined by their victim’s decision to prosecute.
Your metaphor is bad and you should feel bad.
“ Louisa May Alcott wrote Little Women for the money. And it made her miserable.
As a young writer, Alcott concentrated on lurid pulp stories of revenge, murder, and adultery–“blood and thunder” literature, as she called i–and enjoyed writing very much. She was in her mid 30s when an editor suggested she try writing a book for girls. Alcott wasn’t very interested, but her father was a complete moron with money and had left the family in terrible financial trouble. Alcott wrote Little Women in hopes of some decent sales and a little breathing room and got way more than she asked for. The money in sequels was too good to turn down (and her father didn’t get any smarter with a dime), but Alcott hated writing what she called “moral pap for the young” and longed to return to the smut and violence of her early endeavors. ”
Anonymous said: YOU COULD SPELL "FISH" AS "GHOTI" AND IT WOULD BE PRONOUNCED THE SAME
THIS IS NOT TRUE.
FOR THOSE UNAWARE OF THIS, UH, “FACT,” THE IDEA IS THAT “GHOTI” COULD BE PRONOUNCED “FISH” IF YOU PRONOUNCE THE GH- AS IN “LAUGH,” THE -O- AS IN “WOMEN,” AND THE “TI” AS IN “AMBITION.”
HOWEVER, THIS FAILS TO TAKE INTO ACCOUNT THAT THE PRONUNCIATION OF LETTERS IS DEPENDENT ON THEIR POSITION WITHIN THE WORD.
AT THE END OF A WORD OR SYLLABLE, “GH” CAN BE PRONOUNCED LIKE THE LETTER F. THIS IS WHY IT’S PRONOUNCED THAT WAY IN “LAUGH” AND “LAUGHTER” AND “ENOUGH” AND, DEPENDING ON WHO YOU ASK, “VAN GOGH.” AT THE BEGINNING OF A WORD OR SYLLABLE, “GH” IS PRONOUNCED AS AN EXTRA-HARD G-SOUND, AS IN “GHOST” AND “GHOUL” AND “GHASTLY.”
LIKEWISE, “TI” IS NOT PRONOUNCED AS “SH” AT THE END OF A WORD. IN “AMBITION,” IT IS ONLY BECAUSE “TI” IS FOLLOWED BY “O” THAT THERE IS AN “SH” SOUND IN THE WORD AT ALL. THIS IS WHY “RATIO” IS PRONOUNCED WITH AN “SH” SOUND, WHILE “MANTIS” IS PRONOUNCED WITH A “T” SOUND.
IT’S ALSO IMPORTANT TO NOTE THAT, IN WORDS LIKE “AMBITION” AND “NATION,” IT’S NOT THAT THE “TI” IS PRONOUNCED LIKE “SH.” “TION” IS A COMPLETE SYLLABLE, PRONOUNCED “SHUN” OR “SHEN.” IF YOU REMOVE ANY OF THE LETTERS, THE PRONUNCIATION WOULD CHANGE.
"ION" DOESN’T HAVE AN SH- SOUND IN IT. "TIN" DOESN’T HAVE AN SH- SOUND IN IT. "TI" DOESN’T HAVE AN SH- SOUND IN IT. "TON" DOESN’T HAVE AN SH- SOUND IN IT. "TIO" ONLY HAS AN SH- SOUND IN IT IF IT’S PRECEDED BY A VOWEL, AS IN "RATIO," AND EVEN THEN, IT’S PRONOUNCED "SHYO" OR "SHI-O," DEPENDING ON YOUR ACCENT.
"O" IS RARELY PRONOUNCED AS IN "WOMEN," EXCEPT WHEN IT’S IN THE MIDDLE OF A SYLLABLE.
THAT’S THE THING. “-GH” IS ONLY PRONOUNCED “F” AT THE END OF A SYLLABLE. “O” IS ONLY PRONOUNCED AS IN “WOMEN” IN THE MIDDLE OF A SYLLABLE. “TI-” IS ONLY PRONOUNCED “SH” AT THE BEGINNING OF A CERTAIN SYLLABLES, AND NEVER BY ITSELF.
WHEN ASSEMBLED IN THAT ORDER, NONE OF THOSE PRONUNCIATIONS WOULD APPLY. IF THEY HAD SPELLED IT “GHOTION,” IT WOULD BE PRONOUNCED “GOSHEN.” IF THEY HAD IT “LAUGHOTI,” IT WOULD BE PRONOUNCED “LAFF-OH-TEE.”
HOWEVER, SPELLED “GHOTI,” THERE’S NO WAY TO PRONOUNCE IT “FISH” UNLESS YOU PRONOUNCE EVERY LETTER INCORRECTLY, IN WHICH CASE YOU’RE NOT PRONOUNCING “GHOTI” AT ALL, YOU’RE PRONOUNCING “FISH.” “GHOTI” IS PRONOUNCED “GOATY.”
NOW, THE ORIGINAL IDEA BEHIND “GHOTI” WAS MAKING FUN OF THE LACK OF RULES GOVERNING ENGLISH SPELLING AND PRONUNCIATION. THIS IS STUPID AS HELL, BECAUSE THEY HAD TO IGNORE A BUNCH OF THE RULES GOVERNING ENGLISH SPELLING AND PRONUNCIATION IN ORDER TO MAKE FUN OF THEIR NON-EXISTENCE.
THEY LITERALLY PRETENDED THE ESTABLISHED PRONUNCIATION CONVENTIONS DIDN’T EXIST JUST SO THEY COULD MAKE FUN OF ENGLISH FOR NOT HAVING ESTABLISHED PRONUNCIATION CONVENTIONS, WHICH IS ESPECIALLY AGGRAVATING BECAUSE THIS COULD EASILY BE ACCOMPLISHED WITH THE EXISTING WORD “COLONEL.”